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The attack range is from 0.01ms to 1000ms, and the release range is from 1ms to 10000ms. The attack and release envelopes behave very much like that of any other compressor/expander.
This isn’t as versatile as the Gate/Expander section of the plug-in, but can be useful.Ĭ1 Achieving Downwards Expansion from the Compressor Section With “Peak Ref” enabled, and your make-up gain set to 0, you can also turn the compressor into a soft knee downwards expander by setting the ratio between 0.99:1 – 0.50:1. With your make-up gain set to 0, you can now lower your threshold, and the levels below the threshold are boosted, instead of – with “Low Ref” enabled – having the levels above the threshold decrease in gain as you lower the threshold. The simplest explanation of how the “Peak Ref” mode works, is to compare it to an “auto make-up gain” function. Obviously, changing the threshold and ratio will affect the overall output level of your audio above the threshold, but you can use the “Peak Ref” setting to overcome the need to adjust your output gain continuously. The result is audio that sounds louder, but has no change in the peak levels at all. In other words, the dynamic range below the threshold is being reduced by boosting the low level audio, and then compressing it via the soft knee ratio, but then evening it out to no compression at all above the threshold. Upwards expansion allows you to have your compression take place at a level lower than maximum, leaving your louder levels untouched. If you combine this phenomenon with your makeup gain (or peak referencing – explained later), you can achieve upwards expansion. If you set the compressor threshold to about -60dB, and you start moving the ratio control down from 1:1 towards 20:1, you will see that the knee reverses itself back to a 1:1 ratio above the threshold.
It is when you set the threshold lower that you start to notice the C1‘s magic. It is in the ratio relationship above the knee that things start to get interesting…įor normal compression, using a fairly high-level threshold (between 0dB and -40dB), you might find that ratios of 1.1:1 – 10:1 or maybe even 20:1 are common for your day-to-day use. The C1 has a soft knee (which is not user definable), which stays consistent throughout the different range of ratios. What many people don’t realise about C1, is that it’s gain-control engine was designed differently to most others. Let’s start off by talking about the compressor/expander section. Waves C1 Comp Gate Vst Free Download Windows 10įor the sake of this tutorial, I will be using all variations of the plug-in, but the image below shows you the Compressor/Expander/Gate with the side chain filter, as this unit contains all the functions of the 4 variations. Many people who have the Waves C1 compressor/expander/gate tend to overlook it, as Waves have so many other compressors to choose from that either look better, or have less controls to achieve the job at hand in a simpler fashion.Ĭ1 essentially comes in 4 different variations: Compressor/Expander (no side-chain filter), Gate/Expander (no side-chain filter), Compressor/Expander (with side-chain filter), and Compressor/Expander/Gate (with side chain filter). Plugins for Cubase, FL studio, Reaper, Ableton and other VST/AU platforms.
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